Allegra, a whimsical tale of a woman who can't stop singing, is a delightful yet somewhat underwhelming play. Maureen Lipman shines as the titular character, bringing a spark of life to her spontaneous serenades. However, the production feels heavy on whimsy and light on substance, leaving audiences with little insight into Allegra's character beyond her eccentricities.
Lipman's performance is a highlight, as she effortlessly transitions from quirky costumes to lively performances. Her twinkle in her eye and shimmy in her shoulders add a layer of charm to the character. Yet, the play struggles to provide a deeper understanding of Allegra's motivations or background. The closest we get to backstory is a humorous setup involving her father's ashes, which fails to resonate fully.
The plot takes an odd turn when Allegra encounters a bizarre justice system that seeks to regulate her colorful mind with drugs. A police officer prosecutes her for performing Annie at a petrol station, and a judge orders medication for someone who poses no danger. This surreal element adds a layer of absurdity to the story, but it feels out of place and underdeveloped.
The supporting characters, such as Anna, the compassionate care worker, provide some comedic relief. However, the play's attempt to encourage audience participation with songs like 'Take Me Out to the Ball Game' falls flat due to its unfamiliarity with British audiences.
Despite Lipman's captivating performance, the play's overall impact is somewhat diminished. The through-line to her previous role in 'Glorious!', about Florence Foster Jenkins, is evident. Both characters embody uninhibited happiness and unconventional expression, deemed inappropriate by society. Yet, the message is hammered home too forcefully, leaving audiences with a sense of déjà vu.
In conclusion, 'Allegra' is a charming yet superficial exploration of a woman's unique expression. While Lipman's performance is a standout, the play lacks depth and fails to provide a compelling narrative. Audiences may find themselves leaving the theater with more questions than answers, yearning for a richer and more nuanced portrayal of this eccentric character.
